Yeongrak Online in Search of Scuzzy Beats

With the Christchurch earthquake wiping out all of Yeongrak’s previous hangouts, he took refuge in his bedroom, where he withdrew from regular socialising and immersed himself into the dark, distant corners of the internet. Shane Woolman investigates the results for underground music magazine The Wire.

While browsing through YouTube later that year Yeongrak (Matteo Harley-Mackie) discovered the Digital Hardcore label, which had a profound effect on him. “At the time I was really into breakcore and I found the video to ‘Sweat’ by Shizuo and loved it. Shizuo is my all time favourite but I was pretty into Bomb 20, EC80R, Patric Catani and Hanin Elias.”

This seclusion also allowed him to focus on his own sonic experimentation, a bricolage of seemingly disparate elements that in many ways nod back to the high octane, abrasive sounds of Digital Hardcore – scuzzed-up video game melodies drenched in warped, detuned vocal samples and lopsided rhythm patterns married to percussion sourced from smashing objects, screams and squelches.

Indeed, bodily fluids and functions feature among his influences, along with video games, entomology, arachnology and paraphilia. “I think I’m just fascinated with gross stuff,” he explains.

This aesthetic is apparent on Brainsoutclock, Yeongrak’s new EP.

Listening back to Brainsoutclock, it strikes me that Yeongrak’s impulsive earthquake reaction is in keeping with the way he approaches his craft, born from unbridled curiosity and an instinctive disregard for danger.

Original article by Shane Woolman, The Wire, August 2016.

Tags: Brainsoutclock  Digital Hardcore  Matteo Harley-Mackie  Wire (The)  Yeongrak  

Taika Waititi Portrait Wins Packing Room Prize

Taika Waititi Portrait Wins Packing Room Prize

Sydney-based artist Claus Stangl has taken out one of Australia’s top art honours with his portrait of Academy Award-winning director Taika Waititi, The Guardian reports. Stangl won the packing room prize, a…