“In the complex, full-formed characters of Jane Campion’s cinema, I found connections with my own recent autism diagnosis,” Lexie Corbett writes in an article published by bi-monthly magazine, Little White Lies. “I was looking for…
Drawing upon interviews from throughout the New Zealander’s career, Julie Bertuccelli’s documentary Jane Campion: The Cinema Woman, which premiered at Cannes, explores the process and philosophy of the Power of the Dog helmer. Sheri…
Jane Campion has won her second best director Oscar, the first woman to be nominated twice for the directing prize, after also landing a nod for her 1993 film The Piano, Laura Harding reports…
A decade ago, she almost walked away from movies. Now, New Zealander Jane Campion is the only woman ever nominated twice for an Oscar best director thanks to The Power of the Dog. Campion…
Ahead of the Baftas and Oscar ceremonies later this month, New Zealand film director Jane Campion and her director of photography, Australian Ari Wegner, discuss their nominations, filming through the pandemic – and what…
Jane Campion’s The Power of the Dog has received 12 Oscar nominations, the most of any film this year. Amongst the categories, the New Zealander’s film was nominated for director, adapted screenplay and best…
Jane Campion’s “handsome, complex and brilliant” western The Power of the Dog won best picture (drama) and best director at this year’s Golden Globes, along with best supporting actor for “the excellent” Kodi Smit-McPhee,…
Oscar-winning Palmerston North-born production designer Grant Major has transitioned from The Lord of the Rings to the wilds of 1925 Montana for The Power of the Dog, director Jane Campion’s acclaimed western drama that,…
“The incredible natural landscapes of The Power of the Dog provide an unsettlingly beautiful backdrop to Jane Campion’s The Power of the Dog. Nary a frame in Western tragedy, shot by fast-rising cinematographer…
The Power of the Dog’s production designer Grant Major built the film’s ranch from the ground up on location in Jane Campion’s native New Zealand, which, thanks to its remoteness, was perhaps more convincing…
“It has gotten easier over the years to feel comfortable with what work means to the world,” Jordan Kisner writes in a feature published in the New York Times Magazine. “She pulled…
New Zealand’s “trailblazing director” Jane Campion speaks to The Guardian’s Sean O’Hagan about how the #MeToo movement inspired her first feature in more than a decade, “revisionist western”, The Power of the Dog. That it…
“When French filmmaker Julia Ducournau took the Palme d’Or at Cannes this year for Titane, her wild explosion of body horror and gender politics, Jane Campion’s status in film history shifted slightly: no longer…
New Zealand’s Jane Campion has “underlined her status as one of the leading film-makers of her generation, taking home the best director trophy at the Venice Film Festival”, AFP reports. The Power of the Dog,…
The Power of the Dog marks a homecoming for Wellington-born Oscar winner Jane Campion – with a career-first twist, David Canfield reports for Vanity Fair. Campion’s last feature was the 2009 romantic drama Bright Star; she…
Thanks to its handling of the Covid-19 pandemic, New Zealand is enjoying an unprecedented boom in film production, with directors seeking safe conditions, and that most elusive thing this year – a normal life,…
New Zealand filmmaker Jane Campion’s stunning 1993 classic, The Piano has topped BBC Culture’s poll of 368 critics in 84 countries. The broadcaster’s Hannah Woodhead reveals why it’s a worthy winner. “In 1993, Campion made history…
After a decade of being absent from the big screen, Academy Award-winner New Zealander Jane Campion is readying her first feature since 2009’s Bright Star. Campion will next direct her own adaptation of Thomas…
“Rereleased after 25 years, this literary work about a mute woman in 19th-century New Zealand remains full of extraordinary images and enigmas,” writes Peter Bradshaw in a review in The…
Top Of The Lake: China Girl’s Jane Campion talks to film magazine Screen Daily about the importance of telling stories from a female point of view. “Motherhood is a very underwritten topic, especially in those…
One of the world’s most unconventional filmmakers, New Zealander Jane Campion talks with The Guardian about the end of the patriarchy, doing away with decorum, and how losing her baby son changed her forever. Twenty-five…
The team behind Top of the Lake: China Girl plunges into prostitution, illegal surrogacy, motherhood – and humour. New Zealander Jane Campion and Australian collaborators co-creator Gerard Lee and co-director Ariel Kleiman discuss the show in…
“To make a good film,” Alfred Hitchcock once said, “you need three things: the script, the script, and the script.” Yet while it’s easy to find (and argue over) lists of the greatest films…
Amidst Top of the Lake: China Girl’s central thematic story lines related to motherhood – Mary’s relationship with Julia grows tense as she gets to know Robin – there was a real-life motherhood “plot”…
The legality of prostitution and commercial surrogacy, the exploitation of women involved in both – in the end, Jane Campion’s Top of the Lake: China Girl explored those issues more than it explored the…
There’s certainly a great deal of thematic resonance in the first series of Top of the Lake and this one, beginning with women immersed in a body of water, a narrative of pregnancy secretly…
In a review of Jane Campion’s Top of the Lake: China Girl, which is currently screening on BBC2 in the UK, the Guardian’s Sam Wollaston says that not only is lead Elisabeth Moss “mesmerising,…
From Sweetie to The Piano, New Zealander Jane Campion has made some of cinema’s strangest, strongest films. So why has she switched to the small screen? The Guardian investigates. It is eight years since Campion,…
Fans of the critically acclaimed crime drama Top of the Lake will be eagerly awaiting its return at the end of this month – but writer New Zealand-born Jane Campion admits to the Observer…
“Is it a movie? Is it a TV show? Whatever you call it, Jane Campion’s latest is as beautiful and soul-stirring as anything you’ll see this year,” David Ehrlich writes in a “grade A”…
New Zealander Jane Campion, 63, has just shown the full six hours of her new series, Top Of The Lake: China Girl to audiences at Cannes. At the festival, Campion bemoaned that, just three…
Critics loved Top of the Lake, New Zealander Jane Campion’s dark crime drama, starring Mad Men’s Elisabeth Moss as Robin Griffin, the police detective tasked with finding out why a…
Picturing yourself as a successful movie director – then getting there – is notoriously tough for a woman in the United States, the epicentre of the movie industry. For a young woman in New…
“Across the globe and across generations”, there are stories with “settings as important as any character with dialogue,” according to an article in IndieWire. New Zealand’s Top of the Lake is one…
“New Zealand certainly brings a fair few ‘bests’ to the table. Aside from being one of the most beautiful countries in the world, responsible for some of the greatest exploratory and scientific minds,…
New Zealand-born director Jane Campion has said she never expected to be working on Top Of The Lake again and that she was surprised by the success of the original 2013 BBC miniseries that…
The 2016 New Zealand Film Festival will be hosted in Shanghai from April 21 to 30. 7 recent productions, which cover a wide range of genre and styles including biopic, romantic comedy and suspense,…
Gwendoline Christie, who plays popular Game of Thrones character Brienne of Tarth, will join Mad Men star Elisabeth Moss in a new season of the much-praised Jane Campion TV show Top of the Lake,…
“Films about mute piano players embroiled in erotic love triangles never did become a burgeoning genre. Perhaps that’s because it’s virtually impossible to imagine another equalling writer/director Jane Campion’s 1993 magnum opus: an extraordinarily…
“It’s been almost three years since Top of the Lake first aired and it’s still hard to shake the series’ sense of creeping dread”, writes Jacob Stolworthy in an article on The Independent. Lead actress…
“From Golden Age trailblazers to modern-day ass-kickers,” the Telegraph introduces its readers to Hollywood’s 34 “most influential, inventive and important women,” including our very own Jane Campion. A director, writer and producer, Campion is best…
Jane Campion contributes to a Sight & Sound magazine special issue, which aims “to write women back into film history by championing 100 female-directed hidden gems that have been forgotten or unfairly overlooked.” “Just because…
New Zealand actor Kerry Fox, who stars in Australian film Downriver, which premieres at this year’s Melbourne International Film Festival (MIFF), also gave a masterclass at the event with the film’s writer/director Grant Scicluna about the…
As the child of New Zealand-born director Jane Campion and Australian filmmaker Colin Englert, Alice Englert – who stars in the BBC’s magician drama Jonathan Strange and Mr Norrell – grew up immersed in…
“Last year came the exciting news that Top Of The Lake, Jane Campion’s terrific TV series, wouldn’t just be a one-off, but would return for a new round of episodes,” Indiewire reports. “Details were…
Writer-director Jane Campion’s “mysterious visual style was showcased” in her 1989 film debut Sweetie, a “left field story about the love-hate relationship between two sisters,” the Guardian’s Luke Buckmaster writes. “Campion has made a career…
Lorde “comes from a land of pioneering women with sometimes perverse perspectives, from the writers Katherine Mansfield and Keri Hulme to the filmmaker Jane Campion,” Los Angeles Magazine contributor Evelyn McDonnell writes in a…
Former Xena: Warrior Princess Lucy Lawless, 46, will join the cast of American television series Agents of S.H.I.E.L.D in an unspecified role later this year. According to TV Line, the show is looking to fill…
The New Zealand-born director Jane Campion won the 1986 short film Palme d’Or at Cannes with her nine-minute Peel, shared the Palme d’Or for The Piano (with Chen Kaige’s Farewell My Concubine) in 1993,…
On this month’s New Yorker fiction podcast, American actress and filmmaker Miranda July reads Janet Frame’s short story “Prizes,” which was published in the magazine in 1962. July, whose fiction and essays have been appearing…
As Jane Campion returns to the Riviera chairing the jury at this year’s Cannes Film Festival, the Palm d’Or-winning filmmaker tells the Guardian’s Andrew Pulver about surviving as a woman director. Campion was the first…
Head of this year’s Cannes jury, Wellington-born director Jane Campion made her name portraying complex, strong-willed female protagonists and knows from first-hand experience that the festival is a place where careers are made. Campion, the…
A 15-minute film by Aucklanders Luke Thornborough and Lisa Fothergill, called Jess, will screen at Cannes International Film Festival in the Short Film Corner of the event, in May. Its makers are trying…
New Zealand-born film production designer Andrew McAlpine has launched Rockflower, the world’s first flower retail and vending kiosk on the forecourt of London’s Blackfriars Underground station. Trading has been going very well so far, says Rockflower founder and…
The fact that Jane Campion’s drama Top of the Lake has been so well received only makes sense to American actress Holly Hunter, who played feminist seer GJ in the award-winning series. “It’s been energising…
New Zealand filmmaker Jane Campion will preside over the jury of the 67th Cannes Film Festival, succeeding last year’s president Steven Spielberg. This year’s festival takes place 14-25 May. Campion is the only female director…
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