Edge dimension

Textile artist Clare Plug contributed two works to the Fiberart International 2004 biennial, which recently moved to New York’s Museum of Arts & Design from the Pittsburgh Centre of the Arts. A review in the Pittsburgh Post-Gazette describes her pieces, Resonance and Promenade, as “exceptional … tactile and dimensionally illusional.”


Tags: Clare Plug  Fiberart International  Pittsburgh Post-Gazette  Post Gazette  Promenade  Resonance  

What’s for – Decolonial – Dinner?

What’s for – Decolonial – Dinner?

Online art platform Contemporary HUM’s last publication of 2019 sees Indigenous Canadian artist and curator Tania Willard explore the work of New Zealand artists BC Collective and Louisa Afoa, currently on…