Romance and roadkill in

Director Alison Maclean’s edge aesthetic gets sharper: described by the New Yorker as having a “big messy emotional talent”, she is thrilled that audiences are connecting with the romance rather than the wierdness. But don’t expect the acclaim to have crushed her visual sensibility: “When Alison Maclean is behind the camera, the middle of the road is a dangerous place to be …”


Tags: Alison Maclean  New Yorker  Premiere  

Tūī Winner Benee Has a Vision

Tūī Winner Benee Has a Vision

Aucklander Benee, otherwise known as Stella Bennett, who claimed four Tūīs at this year’s Vodafone Music Awards, talked to Billboard’s Gab Ginsberg in the United States recently about her latest EP,…