Romance and roadkill in

Director Alison Maclean’s edge aesthetic gets sharper: described by the New Yorker as having a “big messy emotional talent”, she is thrilled that audiences are connecting with the romance rather than the wierdness. But don’t expect the acclaim to have crushed her visual sensibility: “When Alison Maclean is behind the camera, the middle of the road is a dangerous place to be …”


Tags: Alison Maclean  New Yorker  Premiere  

Pirate Comedy Deserves Another Season

Pirate Comedy Deserves Another Season

Cancelled after two season, Taika Waititi’s “silly comedy” Our Flag Means Death “deserves one more voyage”, according to Radio Times critic George White. “ was meant to be sacred…