Oscar Number Two for Best Director Jane Campion
Jane Campion has won her second best director Oscar, the first woman to be nominated twice for the directing prize, after also landing a nod for her 1993 film The Piano, Laura Harding reports…
Jane Campion has won her second best director Oscar, the first woman to be nominated twice for the directing prize, after also landing a nod for her 1993 film The Piano, Laura Harding reports…
A decade ago, she almost walked away from movies. Now, New Zealander Jane Campion is the only woman ever nominated twice for an Oscar best director thanks to The Power of the Dog. Campion…
In ‘The Portfolio’, Vanity Fair’s ‘Awards Insider’ columnist speaks with some of this year’s most notable Oscar nominees about their entire body of nominated work. Here, The Power of the Dog production designer New…
Ahead of the Baftas and Oscar ceremonies later this month, New Zealand film director Jane Campion and her director of photography, Australian Ari Wegner, discuss their nominations, filming through the pandemic – and what…
Jane Campion’s The Power of the Dog has received 12 Oscar nominations, the most of any film this year. Amongst the categories, the New Zealander’s film was nominated for director, adapted screenplay and best…
Jane Campion’s “handsome, complex and brilliant” western The Power of the Dog won best picture (drama) and best director at this year’s Golden Globes, along with best supporting actor for “the excellent” Kodi Smit-McPhee,…
Oscar-winning Palmerston North-born production designer Grant Major has transitioned from The Lord of the Rings to the wilds of 1925 Montana for The Power of the Dog, director Jane Campion’s acclaimed western drama that,…
“The incredible natural landscapes of The Power of the Dog provide an unsettlingly beautiful backdrop to Jane Campion’s The Power of the Dog. Nary a frame in Western tragedy, shot by fast-rising cinematographer…
The Power of the Dog’s production designer Grant Major built the film’s ranch from the ground up on location in Jane Campion’s native New Zealand, which, thanks to its remoteness, was perhaps more convincing…
“It has gotten easier over the years to feel comfortable with what work means to the world,” Jordan Kisner writes in a feature published in the New York Times Magazine. “She pulled…
New Zealand’s “trailblazing director” Jane Campion speaks to The Guardian’s Sean O’Hagan about how the #MeToo movement inspired her first feature in more than a decade, “revisionist western”, The Power of the Dog. That it…
“When French filmmaker Julia Ducournau took the Palme d’Or at Cannes this year for Titane, her wild explosion of body horror and gender politics, Jane Campion’s status in film history shifted slightly: no longer…
New Zealand’s Jane Campion has “underlined her status as one of the leading film-makers of her generation, taking home the best director trophy at the Venice Film Festival”, AFP reports. The Power of the Dog,…
The Power of the Dog marks a homecoming for Wellington-born Oscar winner Jane Campion – with a career-first twist, David Canfield reports for Vanity Fair. Campion’s last feature was the 2009 romantic drama Bright Star; she…
“Even in a year free from Hollywood’s typical machinations – red carpets, fall festivals, movie theatres – stars could still be made seemingly overnight,” Keaton Bell writes for Vogue. “Here’s our rundown of 15…
After a decade of being absent from the big screen, Academy Award-winner New Zealander Jane Campion is readying her first feature since 2009’s Bright Star. Campion will next direct her own adaptation of Thomas…
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