New Yorker editors and critics choose their “most captivating, notable, brilliant, surprising, absorbing, weird, thought-provoking, and talked-about reads” every Wednesday and on a recent week noticed New Zealand author Catherine Chidgey’s latest fiction, Pet. This…
“Saying you’re ‘buying a house in New Zealand’ is kind of a wink, wink, say no more,” LinkedIn co-founder Reid Hoffman explained to The New Yorker in 2017. “Once you’ve done the Masonic…
Tayi Tibble, a Māori writer from Te Whanganui-a-Tara, Aotearoa, has had her poem Creation Story published in The New Yorker. She is the author of two poetry collections, Poūkahangatus and Rangikura, the former
“Want the nightlife of Eric Adams but can do without the glitz or the starch? Try Maxwell,” Nathan Heller writes for The New Yorker. Co-founded by New Zealander Kyle Chaning-Pearce…
“Many groups who identify as Indigenous don’t claim to be first peoples; many who did come first don’t claim to be Indigenous. Can the concept escape its colonial past?” Manvir Singh asks in an…
Wellington-born Tayi Tibble’s poetry collection Poūkahangatus has been included in the New Yorker’s ‘Best Books of 2022 So Far’ list. The influential magazine writes: “Our editors and critics choose this year’s most captivating, notable, brilliant,…
Wellington poet Tayi Tibble’s award-winning first collection Poūkahangatus has been described by The New Yorker magazine as “smart, sexy … fanciful and dramatic”. “This collection’s title poem, which describes itself as ‘An Essay About Indigenous…
On his new album My Boy, New Zealand singer-songwriter Marlon Williams experiments with electronic flourishes in search of a lighthearted groove, Rumaan Alam writes in an article published in The New Yorker. “In 2018, Williams…
“In October of 2017, when Jacinda Ardern became the Prime Minister of New Zealand—a country with a population of fewer than five million—she assumed leadership of a place not accustomed to making global headlines,” writes…
“The clever and freewheeling nine-minute animated short Fire in Cardboard City, directed by Phil Brough, which had its US debut at this year’s Tribeca Film Festival, is a mini disaster movie that…
Wellington writer Ashleigh Young’s debut essay collection Can You Tolerate This? is New Yorker-recommended summer reading. “Two things happened the first week I moved to New York, in February. I met up with a friend…
New Zealander André Spicer and Swede Carl Cederström, business-school professors in a field called “organisation studies,” recently set out to chart their progress, count their steps, log their sleep rhythms, tweak their diets, record…
Last year, amid the stress of shutting down a digital production company she’d co-founded nearly ten years before, Jacqui Kenny, a New Zealander living in London, began exploring the world on Google Street View. Kenny…
Lorde’s sophomore studio album Melodrama has been released and critics throughout the world are singing the 20-year-old’s praises. In the New Yorker, reviewer Carrie Battan writes that it is “difficult to say whether Lorde…
Lorde’s comeback single Green Light, is an “upbeat announcement of change,” according to the Atlantic, one of many international publications praising the “inventive” pop singer’s new direction. “People have been waiting for Lorde’s future for…
The New Yorker’s review of Justin Bieber’s latest “stellar” video, “Sorry” – perhaps “an acceptable cap to his year of penitence” – declares that, “it is impossible not to feel as if you would…
Spanish political party Podemos (We Can), the first party to ever use a website – Reddit – to organise its members, is also using Loomio, a company co-founded by New Zealander Ben Knight…
Amelia Lester writes for The New Yorker restaurant column this week about Australasian cuisine, with a focus on the Musket Room, the highly acclaimed restaurant of New Zealander Matt Lambert. She writes of the growing…
On this month’s New Yorker fiction podcast, American actress and filmmaker Miranda July reads Janet Frame’s short story “Prizes,” which was published in the magazine in 1962. July, whose fiction and essays have been appearing…
Janet Frame’s The Mijo Tree, a previously unpublished novella first drafted in 1957, follows the pattern of her other stories, with their “anthropomorphism and their small, clear fairytale phrasing,” which gradually “reveal their powerful…
Lorde makes it into the New Yorker this week, the subject of a profile by contributor and music critic Sasha Frere-Jones, who conducted several conversations with the 16-year-old about, amongst other things, how important…
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